She did not want to talk about the war. CHAPTER II!

And as he talked and dreamed there grew up in her heart a fierce anger. What would her own future be? She would marry probably some man of her own class, settle down to the average woman’s “life”; be allowed, like a spoilt child, to still “take an interest” in public affairs: hold “drawing-rooms” attended by cranks and political nonentities: be President, perhaps, of the local Woman’s Liberal League. The alternative: to spend her days glued to a desk, penning exhortations to the people that Carleton and his like might or might not allow them to read; while youth and beauty slipped away from her, leaving her one of the ten thousand other lonely, faded women, forcing themselves unwelcome into men’s jobs. There came to her a sense of having been robbed of what was hers by primitive eternal law. Greyson had been right. She did love power—power to serve and shape the world. She would have earned it and used it well. She could have helped him, inspired him. They would have worked together: he the force and she the guidance. She would have supplied the things he lacked. It was to her he came for counsel, as it was. But for her he would never have taken the first step. What right had this poor brainless lump of painted flesh to share his wounds, his triumphs? What help could she give him when the time should come that he should need it? “You must come and see them,” the Human Document insisted. “Such dear, magnetic creatures. I superintend their entire education myself. We have a cottage in Surrey. It’s rather a tight fit. You see, there are seven of us now. But the three girls can easily turn in together for a night, Abner will be delighted.”

“Quick,” said the doctor. He pushed her in front of him, and she almost fell down a flight of mud-covered steps that led into the earth. She found herself in a long, low gallery, lighted by a dim oil lamp, suspended from the blackened roof. A shelf ran along one side of it, covered with straw. Three men lay there. The straw was soaked with their blood. They had been brought in the night before by the stretcher-bearers. A young surgeon was rearranging their splints and bandages, and redressing their wounds. They would lie there for another hour or so, and then start for their twenty kilometre drive over shell-ridden roads to one or another of the great hospitals at the base. While she was there, two more cases were brought in. The doctor gave but a glance at the first one and then made a sign; and the bearers passed on with him to the further end of the gallery. He seemed to understand, for he gave a low, despairing cry and the tears sprang to his eyes. He was but a boy. The other had a foot torn off. One of the orderlies gave him two round pieces of wood to hold in his hands while the young surgeon cut away the hanging flesh and bound up the stump. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her. “But I’m so useless,” pleaded the woman.